Maybe the real thing is opaque, rough, affected, stressed space-time. 

The temporality of an affirmation is slow. Its surface is a topology of a certain compactness. It may be blue. It's blue in here. Here it is now. Now it's a constant. A topology of differences that matter, and that place an opacity across. The affirmation is given through the surface. You don't have to understand, you have to lie down. It is attended through. It tends to blue. Blue tending to opaque. A slow process of opacitation on the basis of disposition first, then by means of remediation could lead to dispossession. From a synthetic weft to a composite of humanly imperceptible digital seams, from there to another body shot and from there to the separation. Differentiated and tensioned materializations. Affirmative dispossession or how. 

The exuberant humanness of the square weaves surfaces. It puts water in one. Another one says verse. Highly malleable clamping displays, with uncertain inscriptions and some shifting, twisting power. Ready to vibrate, to shake. Ready to cast a shadow. The intra- surfaces are found in the fabric of a worldly plot, from within. Cross country. A field is something that has a physical amount associated with each point in space-time. There are fields that were vertical in a single-family caravan and were arranged horizontally, in the middle of the where. Due to a linear element subjected to vertical loads, the curves are mainly catenary. On the heavy, flexible, non-extendable strings suspended from the eyelets under tension, there are differentiable curves and rectifiable curves: the active antitear function. 

 In the post-production of the capture there is not a negative, but an aggregate. It is a composite of data that refers to light, semiotic and machinic conditions. The image is an emergency of collective consistency. Not only superficially, she is willing to continue the difference. Same thing. A technique to capture excess and resistance to when. Several times. 

However, the perspective is one. The stroke, the incorporation in an aqueous photosensitive solution (the torn writings, the naive watercolours). A knowledge of the medium occurs through pigment. Whose material feat. 

The parts of an assembly are called related components: they comply with the rules of connection and intersection. Among them, the separation, the cutting, always implies a particular material composition. The perspective is affected by a dissection that is a decision. The not so panoramic becomes not so evident. It has been decided to make a cut: to disassemble the social. A grid has been proposed or what. A constitutive finiteness. Perhaps as Dürer, for rectangular. The real thing affected by the representation device. The imagination and therefore the memory are affected. And this is problematic, how much. 

Opacities matter, they distract us from absolute truths. Attending to present opacities is an affirmative means of dispossessing latent materializations.

https://jararocha.blogspot.com/2017/07/tendido-topologico-de-opacidad.html