*event title
Vernissage "Rosa feminist fragment posters"
Rosa Fragment
Fragment poster
achive
library
WORK NOTES
Les pistes potentielles:
- Poetry
- Quotes (together with poetry?)
- Names of texts/books/articles
- Headlines + chapter titles
- illustrations (of feminist movements?)
- inter-lingual fragments (drawings/quotes etcetera) +++
- Protest signs
- Rosa’s materiality – library insides, care, effort
- self defence
- Dedications from the authors
- Venus-symbol-variations ♀♀♀♀♀♀
Feedback Rosa 21st of February
From their email:
- " the distributor prefers A2-posters (255 in total). He said that A3 should be okay for shops and A2 is better for bars and restaurants"
- Well that is not possible within the budget, and the distributor can't be calling the shots?
From Be.Brussels:
- There is no clear link with the theme 'objectification of women' and they're afraid that people won't understand the posters. It's too abstract.
- There are a lot of slogans, too much text and some of them are too small to read for an A3-poster
- They expected more illustrations, more visual material so people would understand the message immediately
- They love the last poster (of the library), but would like to put the focus on the visual of the beauty pageant
- They hoped to see more original illustrations/visuals of the women's movement.
- See sheet of sketches and comebacks
We asked ourselves how we would approach the topic of objectification without reproducing harmful or violent images of women being objectified. Our question was who are these posters for and whose experience are they talking about?
It is our opinion that we are past the moment of debating wether women get objectified or not, and our aim with these posters are not to cater to the education of some men who might not yet understand this, but to celebrate the many local feminist movements who have fought against it, be it on a public platform or on a personal level. Every woman we know has felt the creepy belittling and lack of empathy that is objectification and how it undermines you as a person and a being. We therefore dive into this topic focusing on the power of thought, humanity, poetry, philosophy and love that has poured out of the feminist and queer movements, and how Rosa is a center of access to all of this heritage.
Our posters therefore depict a mixture of the experience of being at Rosa, the multitude of voices that is part of their library and archive, and the herstory that represents both past and present.
If we were to number and summorise them, it would go a little something like this :
- Poster number one is a herstory of venus symbols, in a glance a just collection of doodles, but all with references traceable back to a massive spectrum of local publications, movements and protests.
- Poster number two is a collection of voices, headlines, titles and poetry that displays the passion for theory and for a different world.
- Clarify which fragments - ephemera and fragments
- reduce fragments -what do you get from far?
- Poster number three juxtaposes the experience of being objectified with the experience of a life.
- Super clear not so much stuff - big change - find another way of showing text
- Poster number four is a salut to how Rosa boldly breaks with the standard library and institutions, giving access to fresh air.
- Poster number five is a glimpse into Rosa as a place of research.
Other things:
Supposed to last longer
Facebook
Check references for us
Clarify the bottom line
Which language do we write the bottom line? "Fragments from... " ?
Objectification,
*APPLICATION INFO
Structure:
- text or bulletpoints in EN
- estimate of hours
- print/cost estimate
- CV
Project around the 8th of March with RoSa
Application deadline 5th of Nov
Calendar:
- 4th February: first drafts with contents for first approval
- 18th February: finished files for final approval
- 22d February: print files ready > printer
- 1st March: reception prints > distribution (100-150 posters)
- 8th March: installation
- ? opening
Budget print: 600 € = 200 x 5 posters = 1000 posters + separated colored layers (10 x 10 = 100) for the installation
*Activating the feminist library - rough proposal description to be translated to NL
Our proposal is to create an installation that is visual and interactive, to open up/activate the library's many sections and bring them together, with both an emphasis on collecting illustrative fragments in the archive and library to display the visual heritage of feminist movements, and by showcasing the mixture of languages that represents intersectional feminism in Brussels today through gathering texts with the visitors.
The installation has two parts, that are presented together.
Part 1: A window display with a large collection of fragments of visual icons from the RoSa's library and archive of local, feminist herstory. By collecting these visual fragments we want to share an impression of what kind of visual heritage exists from the feminist movements in Belgium and beyond. + what is in RoSa: make a sort of entry door into the collections, an overview on the diversity of the collection (books, posters, documents) and its different contents.
Creating this collection and displaying it to the public is a way to show off the massiveness of the herstory that exsists in this country, using visual language to appeal to all the different language communities at once, backing up the fight for women's right with a message of historic support. We believe that displaying this richness of heritage sends a positive message in a time when many feminist activists might feel a shift in the political climate, and that using the perspective of the last decades will be a way to encourage future engagement in feminist causes.
Part 2: An interactive installation that uses the principle of the dadaist exercise "cadavre exquis" to collectively write texts using different sentences from the entire library. This will work in the way that every person that enters the library and would like to participate will spin 3 custom made tombola-wheels, one to select a book shelf, one to select which number of book in the shelf, and the last one to select which sentence to pick from said book. Creating a kind of treasure hunt to open up a specific yet random book, the person will then take this sentence and add it to a collective text. Bit by bit the text that is created together forms an eclectic impression across languages and feminisms around the library. The exercise can also be limited to specific shelves to create short texts that are sourced from a specific field. The texts created will then be displayed around the library, as a way to open up all kinds of litterature, from the bold and famous to the unnasuming and forgotten, and be a nod to the many feminist collectives that have helped shape this city and the human rights we live with today.
Both elements are also selected because they generate something to give back to the archive/library that can be further built upon in the future, and is therefore not a dead end. They are also both suitable for Brussels many languages and types of feminisms, and once created will demand minimal resources to be activated in the library. The installation will also be visible from the street, using RoSa's large, glazed facade as a key element of the display.
Work hours estimate
Details
· Production hours
§ Visual heritage search (library, archives, posters) 3 x 5h = 15h (+ help from Rosa team)
§ Visual heritage's scans/pictures cleanup of files and preparation for posters (+help from Rosa 15h. ↤ we would not take this more down as cleaning up of files takes a lot of time, after they are scanned all images need to be adjusted, cropped, edited etcetera.
§ RoSa will do Coordination clearance copyright.
- Layout of the printed materials for poster 10h
- Print - will depend of the number of copies printed in riso but material should need to be send min 1.5 week ahead
· Coordination production
- Contact and follow up with printer 5h ↤ we have kept this post at 5h, as 3 hours would not be enough.
· Installation = 6h
= 51 hours x 36 euro = 1836
Print estimate
Posters (for on-site installation + distribution)
Riso print of 255 posters (85 times 3 different types of poster) = ca 450 euro
Total:
(approximate) 450 + 1836 = 2286
*Just for the record CV
Just for the record is a collective investigating how gender is represented in new media and writing/publishing tools, and how it influences the way history is recorded. Just For The Record is a project initiated in 2015 by Myriam Arseneault-Goulet, Loraine Furter, Sarah Magnan and Mia Melvær, coming from diverse artistic backgrounds like visual art, sculpture, object design and graphic design, and working from several perspective as teaching, solo or collective practice.
The project was created shortly after an Art+Feminism Wikipedia Edit-a-thon organised by Loraine Furter in March 2015, which called attention to the need for more gatherings that investigate how to create more diversified contributions to online knowledge platforms.
http://justfortherecord.space/
Selected projects:
2018
November Presentation for Eriazo, Kasko, Basel, Switzerland
October Discussion for Tashweesh Festival, Beursschouwburg, Brussels, BE
June Speculative design residency, Abattoirs de Bomel, Namur, BE
May Solo exhibition, Le Casier, Brussels, BE
January Website for the project Engagement, anti-sexism campaign
2017
Sept.-Dec. Chanting and recording, event with presentations, performances and
workshops, Beursschouwburg, Brussels, BE
October Design Marabout, presentation, Centre Pompidou, Paris, FR
October F-Word, presentations and workshops, Amsterdam, NL
October Voix de femmes, presentations and workshops, Namur, BE
September Extra Citizen, participation to Grant Watson’s project How we behave, Kunsthal Extra City, Antwerp, BE
May Wives And Daughters Of: Changing The Narrative On Wikipedia,
presentations and workshops, Ladyfest, Maastricht, NL
March Relocation: Queer and Feminist Archives, presentations, RoSa,
Brussels, BE
March Memory Factory, presentations and workshops, La Bellone,
Brussels, BE
March Installation for the International Women's Day, Muntpunt, Brussels, BE
2016
December Performative reading, DiVersions, organised by Constant, Brussels, BE
October Red Links, presentations and workshops, Beursschouwburg,
Brussels, BE
June Bots, robots, cyborgs, presentations and workshops, Muntpunt,
Brussels, BE
April Gender Redirect, performances, presentations and workshops,
Amazone and the Student, Brussels, BE
February Heroines, performances, presentations and workshops, Pianofabriek,
Brussels, BE
Question:
Shall we highlight relevant outside-of-jftr-projects? Examples: OSP (graphic design + tool-making) to BAL (collecting grassroots fragments), Myriams sculptures (combining fragments to a whole), Engagement website, feminist publishing from Loraine etc. ?
Feedback to RoSa
- More french sources
- Chapter headers, inspiring headlines
- Multilingual clusters
selective
9:30
COPYRIGHT CLEARANCE
- adapt Loraine's template to this projet
- write a presentation text
- write a template
- find 25 times contact
- adapt template x times
- back and forth (quite light usually)
- back email/mail with posters (one for every contact)