- p. 1 - ‘Rupturing the continuum [of] progress’ - amended
- p. 8 - ‘discovers in and through the process of work’ (239; [italics original]) - pending
- p. 8 - ‘and many of other close contemporaries’ - pending
- p. 10 – change ‘emphasis original’ to ‘italics original’? - pending
- p. 12 - ‘imposition of [the] logic of progress’ - pending
- p. 13 – Raymond Williams argued that [the] scale at which’ - pending
- p. 14 - ‘queer Marxisms appear, in Williams’s terms, attempt ‘to supplement’
- p. 14 - ‘supplement, deepen, [or] go beyond historical materialism? - pending
- p. 31 - ‘material production, and the abstraction.’
- p. 36 - ‘is a question not only of causation but of historical agency, matter, and materialism’
- p. 43 - ‘reading against Bennett’
- p. 45 – If[,] as Elizabeth Povinelli suggests,’
- p. 46 - ‘Though Tracks and Mineshafts takes [the] north of England’
- p. 50 - ‘elides the fact [that] fossil energy’
- p. 51 - ‘which coalesced around mining and fossil fuels in during the composition’
- p. 59 - ‘Riley’s suggests’
- p. 62 - ‘earliest descriptions of an epoch era’
- p. 62 - ‘Todd[,] and other’
- p. 67 - ‘Riley's articulation[s] pf the spatial, atmospheric, and linguistic commons’
- p. 79 - ‘the philosophical function [of air] as an immaterial medium’
- p. 85 - ‘registers Manchester’s industrial history through the tangible [impression]’
- p. 87 - ‘“In the voices we hear,” [Benjamin] asks,
- p.100 - fn. ‘Though was popularised’
- p.110 - ‘situated subjectivity is similarly cast against’
- p. 113 - ‘the optical apparatuses of modernity collide[s] with’
- p. 126 – ‘the speaker offer[s]’
- p. 135 – ref for Retallack quotation.
- p. 135 - ‘an oceanic archive [that] recomposes’
- p. 138 - ‘reaching a limit “along the coast of Norfolk” (Poems 66, 65)’
- p. 141 - ‘against from the landed geoarchives’
- p. 161 - ‘with[out] worsening the situation of another’
- p. 173 - ‘as [a] figure of nonlinear history’
- p. 175 - ‘to reconfigure familiar figurations of language and text as [‘]sedimentary strata’
- p. 178 - ‘since the early [twenty-first] century’
- p. 179 - ‘that exceed[s] the vertical or patrilineal’
- p. 183 - ‘[John] Ashbery’s reciprocal influence’
- p. 184 - ‘by making use of them” (Arcades 460[; emphasis original])’
- p. 192 - ‘between textual and material as reproduction’
- p. 195 - ‘recalling [the] pruning and binding of Hazzard’s espalier,’
- p. 199 - ‘an attempt to sabotage of the ‘self-replicating systems’’
- p. 203 - ‘the naturalisation of the seasons themselves as [processes] of materialisation’
- p. 206 - ‘beyond of the lineal’
- p. 208 - ‘by risking of failure or illegibility’