From Middle English planete, from Old French planete, from Latin planeta, planetes, from Ancient Greek πλανήτης (planḗtēs, “wanderer”) (ellipsis of πλάνητες ἀστέρες (plánētes astéres, “wandering stars”).), from Ancient Greek πλανάω (planáō, “wander about, stray”), of unknown origin. Cognate with Latin pālor (“wander about, stray”), Old Norse flana (“to rush about”), and Norwegian flanta (“to wander about”). More at flaunt. Maybe from platan.
Perhaps it is from a nasalized form of Proto-Indo-European *pleh₂- (“flat, broad”) on the notion of "spread out", "but the semantics are highly problematic", according to Beekes, who notes the similarity of meaning to πλάζω (plázō, “to make devious, repel, dissuade from the right path, bewilder”), but adds, "it is hard to think of a formal connection".
So called because they have apparent motion, unlike the "fixed" stars. Originally including also the moon and sun but not the Earth; modern scientific sense of "world that orbits a star" is from 1630s in English. The Greek word is an enlarged form of πλάνης (plánēs, “who wanders around, wanderer”), also "wandering star, planet", in medicine "unstable temperature."so when we have a fever, planets inside us are moving.
of unknown unknown origin
of known unknown destiny,
a spread-out
flattened
planet or not
repel its orbit
just like touch works
the measure of a plane of unknown repulsion forces
and uns-table. not truth in many ways.
00 = we dont know, 01 = we dont know, 20 = we dont know, FF = we dont know
half a hole
a planet in 2.999999 dimensions
under a regime of problems, basically
highly semantized, in the voidest sense
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Explaining is taking the planets out. Explaining is taking the stars away. Bringing the stars so close that they explode, they will crush you. The distance
is (out of plane)
what is keeping us all alive. Not gravity, gravity is fucking malakas μαλάκας. It is spacetime that the planets need, they need and 00:00:00. They sit in it, they wander through it. To be a planet is to not be explained, deviously straying, flaunting, bewildering the would be explainer.
The Sun is a planet.
The Moon is a planet.
The Sun and Moon are a single planet.
The Earth is no planet. The Earth can never wander. The Wind is every planet. Every planet is in the wind. The wind blows particles around, turbulent, at a different speed and S C A L E the wandering planets are now a violent ☈, the currents and eddies full of information, defying categorisation. Reality without |boundaries| , the ☈ is everywhere all the time, self-similar|ralimis-fles at every size and tempo, a recurring form. It is not ternary, it will never repeat, we are never coming back.
List the discrete items in this room. Consider a non-discretable item.
- pile of chairs hour hand minute hand second hand
- what material are the 'hands' cutting up themselves
- the discrete movement of the second hand itself plotting through time elastically bouncing in microdiscrete portion of seconds back and forth each and every second
- Keep in mind, the real world is not digital, we engineer it to behave that way. We coerce
- How many pebbles now? it's roughly pebbles o' clock
- water inside water bottles sound/music playing at 50 beats per pebble, should have had to happen
- Feel the void of a pierced band
- it feels like a free fall. or maybe levitating, beat the gravity. like you are in the middle of a very wide circle, surrounded by air. by positive electrons. the horizon marks the end of the matter and the beginning of the nothingness. the edge of the pierced band is your orbit. perhaps somewhat similar to what your brain feels when wearing a VR set. where the measure of nothingness begins.
- It feels like a ga(s)p. There is a presence only noticable by some and unread by many. It is far away from no-thing or nothing. The hollowness is carrying information but has a specific audience. It seems empty to the naked eye without a macrovision. It takes up space and space takes up time therefore it is a living being. And therefore it is bound to transform.
the persistence of falling is not the same as floating
and yet, it matters
and is quite telling, if you don't have a world to fall towards
There is no such thing as falling. Falling implies both gravity and emptiness which is a double fallacy. Gravity is evidently not real. Emptiness is an illusion, just sit in the void for one minute and you will see there is never and nowhere emptiness. The Earth is floating towards you as you float towards it. The worm is levitating into the soil and the soil into the worm. thanks! <3
feel the void of a VR headband-set. the horizon marks the end of what matter for a certain capital aggregation and the beginning of yet another platformized nothingness. can the orbit of this hollowness be pierced, can that specific audience still undergo transformation?
- -about soil and worm
- the worm-soil paradigm as a multi-body entity or system. the worm moves and creates space, the soil moves and create space for worm and itself, the worm transforms, the soil transforms equally
- the soil is around and against the worm , pushes (embraces) the worm
- the worm within pushes against (cuddles with) the soil
- the soil as a <so-called body> (jelly) who holds and moves constantly along with the worm
- the home, the shire :D, the place that contains whatever is scared(bilbo).
- the recipient, the holder, the story. The bag of stars. ********
within and against as a form of struggle in complexity
sticking to indeterminacy and rejecting figure-ground, worm-landscape, one-world division of being-with
The worm cannot be defined from the soil as long as it is within it. And the worm should not be removed from the soil because well did you even ask it.
>Find, write or rewrite a dialogue or analyze a choreography between 100$*bill gates* and gated logic *people* -so called human bodies-at the corresponding moments or words.<
INT. APARTMENT – LIVING ROOM – NIGHT
TIA has just gotten back home from work to find MICK on the couch looking unhappy.
TIA: What’s wrong with you? Why do you seem so down?
MICK: Just deep in thought…
TIA: About what?
MICK: Nothing, I’m alright. Don’t really want to get into it./XOR/
TIA: …I wasn’t going to say anything /OR/ because I already knew that that would be your response, Mick. For the past month you’ve been going through some sort of man period. On and off, hot and cold, happy, sad. Not acting like yourself at all. I want to know what’s up. Tell me what’s bothering you lately. Is it me? Not happy with me?
MICK: It is about you but not like what you think. /AND/
TIA: Great. Now you’re talking to me in riddles. Can’t you give me a straight answer and tell me what the hell is going on already? How does it involve me?
MICK: You know, there are some freaking things I just don’t want to talk about and you have to keep pushing me and pushing me. Why isn’t that ever good enough? Why can’t you back off?
TIA: If I was acting up and down like you’ve been, I guarantee you would be more pissed off about it.
MICK: Yeah, well I don’t want to talk about it. So leave it alone…
TIA: I’m not going to leave it alone. I feel that this is something serious and I won’t back away until you tell me.
MICK: Really?
TIA: Really.
MICK: You will be waiting a very long time.
TIA: I don’t care.
MICK: Don’t play these stupid games with me, okay? Cause this sh’t is for real. I’m feeling real emotions about certain things and I don’t want to be played with. 0 NOR 1
TIA: I don’t care. 0
MICK: You drive me crazy.XNOR
TIA: You drive me crazy.XNOR
MICK: Match made in heaven. I don’t want to tell you just because you want me to tell—
TIA: Fine!! Don’t!!!/OR
MICK: If I tell you it’s because I want to tell you. It’s that sort of thing!
TIA: Alright, do what you feel like you want to do. What do you want to eat for dinner? I’m starving.
MICK: I don’t know. Chinese? In the mood for sesame chicken?
TIA: Not sure…
MICK: Tia, okay…listen…this is hard for me because I don’t–I’m not…I have a hard time being open like, you know? (beat) I have a difficult time sharing things that go on inside me, things that matter to me a great deal…I was brought up in a certain environment and I don’t know, it’s sometimes hard for me to connect.
Braid 3 strings but one of the strings is a different color or material. After you braid pull the middle string out and write your observations on how the form changed.
a sudden dissolution of the fictional 'monospaced' space. yes or not, gliph or not.
the misinterpretation takes the shape of new lines.
we are left with a snowpole stick it seems.
| | |
/ \ /
/ | |
\ \ /
\ | /
\ \ |
| / /
\ \ |
Go to the beach and collect pebbles that are gray for one minute. At the end of one minute, count how many pebbles you have. Your one minute from now on equals to the amount of pebbles you have. Use them to calculate how many pebbles you would need for a day and how many pebbles you would spend for lunchtime.
🏖️ 🪨+🪨+🪨 00:01:00 3x🪨
📅 = 480🪨
🍱 = can't afford it
Go to the beach and collect pebbles that are gray for one minute. When one-minute pebbles end, count how many minutes you used. Your pebbles from now on will last the amount of minutes you used. Use them to calculate how much grayness you would need for a full life in the beach.
Try to materialize 0. Imagine you are zero, describe yourself. Let the description leave you. It is gone. Now what are you?
0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
Follow the description. And also stay with yourself. Now where are you? Are you one thing? Are you anything?
μηδέν
I dont have a beginning or ending. I am in continous motion therefore am hard to see. I am a mosquito and I am loud. I dont welcome newcomers I am a closed circuit. I am the mediator of both worlds. negatives and positives have to pass through me to reach where they are going. I am a gate. I am a mosquito at a gate. my erratic reorientations bear no truth to be tabled. i am scared.
000
00000
0
00 000
000
000
000
000
000
000
000000000
1 1
1 1
1 1
1 1
1 1
1 1
1 1
1 1
1 1
1 1
compare official definitions of zero in your own language and annotate/rewrite them.
ΑΜ 301931 this only zero makes me unique according to my id
@@@@@@ @@@ @@@@@@@@ @@@ @@@@@@@
@@@@@@@ @@@ @@@@@@@@ @@@ @@@@@@@@
!@@ @@! @@! @@! @@! @@@
!@! !@! !@! !@! !@! @!@
!!@@!! !!@ @!!!:! !!@ @!@!!@!
!!@!!! !!! !!!!!: !!! !!@!@!
!:! !!: !!: !!: !!: :!!
!:! :!: :!: :!: :!: !:!
:::: :: :: :: :: :: :::
:: : : : : : : : :
'a mark that does not have a value by itself but is valuable when it is on a side of another number'(1)
sifir:kendi0başına0hiçbir0değeri0olmayan,0ondalık0sayı0sisteminde0bir0rakamın0sağına0geldiğinde0o0rakamı0on0kat0büyüten0işaret,0(0).
zero:no quantity or number; nought; nay; zilch; the figure 0.
1. numero che indica assenza di quantità | numero iniziale della successione dei numeri naturali, fondamentale per la numerazione che si basa sulla posizione delle cifre:
1. a number indicating absence of quantity | initial number of the succesion of natural numbers, fundamental for numerations that is based on the position of ciphers
4. in una valutazione, la totale assenza di valore; nullità:
4. in an evaluation, the total absence of value; nothingness
Digit that marks the absence of value. its a noun which has feminine grammatical gender. (Slavic languages have three: masculine, feminine, neuter)
Conditional value that plays the role of border between positive and negative values.
person that has no value, irrelevant
náid, dada, faic; an figiúr 0; an pointe ag a dtosaíonn aon scála (an marc 0 ar theirmiméadar, mar shampla)
zero, nothing, nothing; the figure 0; the point at which any scale begins (the 0 mark on a thermometer, for example
Indica que el nombre al que acompaña o al que sustituye no tiene unidades contables o se asigna a un conjunto vacío.
author-a-tz83zvgiz70zz122zrvdz73zz75zz68zh0r
irrelevent, redundant.