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  More about the way pads work: https://pad.constantvzw.org/p/etherpads 1 Oct  - conceptual ideas 
2 Oct - 0930; 
>> 9 Oct - afternoon
15 Oct  - full day
>> 17 Oct  - 10.30-15.00 @ goldsmiths 
     - finalize the text 
     - collecting and finalizing the manifesto source and list    
2 Nov (sat) - full day
      - bring the book (fill in last 2 manifestos)
     -  cleaning the source manifesto for ML
     -  cleaning the source for the table 
    - training and clean trained data 
    - printing on that day 
3 Nov (sun) - full day 
  - interface and design of the web: typography + spacing + movement 
4 Nov (mon)- full day  
  - diagram 
  
  ---
  List to do as of 4 November 2019  - LEFT OVER !
  Edit the Motto Assistant Text - first half Helen, second half Winnie
  Correct the Manifesto Print file - Helen
  Print the Manifestos onto Yellow  - Helen
  Print the Maniefestos onto Pink again - Helen 
  send pdf of diagram to Gillian - Winnie via Helen
  Gillian to draw out diagram and send back 
  work on the arrangement of the mottos for projection - onsite
  sound for gallery?
  
  -----
  
  Hi Joasia, 
  Thanks for all your emails! Hope you are well. 
  
1.We have checked the mailchimp test annoncement - and updated the text a little and added our very short bios, new doc attached. The test worked well on aarhus email, but on Goldsmiths email did not display in blue and logo was with attachements. 
  
2.We have also put together the long and short text for the vinly based on the template you sent us. Also attached. 

3.We plan just for the soft launch on Weds evening, but then suggest to come back on Dec 10th and 11th to give a talk (on the 11th)- would this work for you?

4. The sticker (slightly changed see below) - black color / 60 x 90 cm (approx)
    
    function start() {
        setInterval(your_motto, now);
    }
   
5. We will print the manifestos here and bring them with us. 

Let us know if you need any more information from us!
Looking forward to seeing you
Helen and Winnie

  
Hi Helen, Winnie

I have just sent you a mailchimp test announcement. - 

Few questions – additions:

  1.  It would be good to include a line or two about each of you  - can you send me something?
  
  Helen Pritchard (UK) and Winnie Soon (HK/DK) have collaborated since 2009, on machine reading/writing, operative processes, software critique and the ways computational practices parse queer life. Helen is the Head of Digital Arts Computing, a lecturer in Computational Arts at Goldsmiths, University of London and Winnie is an Assistant Professor in the Department of Digital Design at Aarhus University. 
  
  2.  Is there a workshop or any event you are planning on the 20th? If so it would be god to include too.

Re vinyl –  can you send me proposed text – shorter info for  outside and a longer version for inside the gallery plus any logos or links you want to include.
I need to send it out for laying out by the end of the week and need to send to production early next week in order to get it back on time.

Thanks
Joasia

Thanks - this is all great.



I am sending you a draft announcement for you to have a look and final checks.

I have few questions regarding tech set up:

1. Printed versions of queer manifestos on A4 pink/green paper - will you bring it with you or prefer to do it onsite? If the latter, can you source the paper you want?

Pink/yellow

2. Now start your motto (as a small sticker on the wall) – can you specify size?

Sticker in black color / 60 x 90 cm (approx)
    
    function start() {
        setInterval(your_motto, now);
    }
   
Apart from this we would need to produce wall vinyl – short info for outside and longer for inside, how would you like? I attach an example of a previous project vinyl.




Also I have a question about dates - 18-20 is still fine but the week after would be better  for various of reasons.

How fixed are you, is there any room for change?  Don’t worry if not possible.





Best wishes

Joasia

----

cid:24006FB5-0DD8-4C18-BA0C-243EBF751FBB]


Exhibition Research Lab


November Events

[cid:image002.png@01D58C4C.0F9A47F0]

Exhibition

Recurrent Queer Imaginaries
Helen Pritchard and Winnie Soon (2019)

Exhibition Research Lab
November 20, 2019 – January 5, 2020
Opening event November 20, 6 – 7pm

Recurrent Queer Imaginaries is an exhibition of queer manifestos, motto writing and urban dreaming.  It features the new artificial intelligence entity from Pritchard and Soon, the "Motto Assistant".

"Motto Assistant" is a machine learner, who continuously writes mottos for revolutions, anti-fascist guiding principles of living, queer love ethics, authoritarian resistances, political movements, class struggles, municipal identities, city planning, art practices, joyful engagements and violent direct action. "Motto Assistant" applies the mottos, as a method of questioning, revising, imagining and developing in light of historical circumstances and cultural conditions. Incoherent and worm-eaten, Soon and Pritchard invite the audience to interpret a motto from "Motto Assistant" as a guiding principle of how to reorganise your collective life and fight injustices in the present.

The exhibition takes as its starting point the histories and uses of manifestos and mottos as operational instructions/guidance for living together and organising urban space. In particular Recurrent Queer Imaginaries explores how queer and feminist manifestos have been used to propose imaginaries for life in cities that "could be" or "could have been". The artwork explores that when these manifestos, these words, are read together they might as Ursula K Le Guin speculates, "activate our imaginations" to rewrite living.

The artwork was developed using manifestos and zines (the earliest written in 1971) for queer and intersectional life as source text for machine learning and generative processes. It uses recurrent neural networks to train and process sequences of collective voices, as well as the diastic algorithm to establish a poetic structure. Such a queer model opens up new imaginaries and forgotten language beyond the confines of accurate prediction and effective generalization.

As part of their process the artists took on some practices of urban dreaming, seeking out manifestos that are housed in the radical books shops and libraries in Kings Cross and Euston, places that are historically important for the queer movement.  Although sites of historic significance for queer spaces, Kings Cross and Euston are both areas that have been effected significantly by the construction and changing urban fabric of London: Queer night-time spaces have been replaced by the relentless gentrification by tech companies and start-ups.

The seed text Not for Self, but for All is used in different parts of the text generation. This seed text, which at first was mistaken for a corporate slogan, is Camden Council’s motto for their municipal identity which hangs prominently next to the Google offices in the heart of the new development of Kings Cross. Recurrent Queer Imaginaries is a call to reclaim queer spaces from corporate neocolonial imaginations, operational injustices and reimagine them differently for all, as a commitment to queer liberation.

Now start your motto.

----

Supported by Aarhus University, Goldsmiths, University of London, Goldsmiths Digital Studios, and School of Art and Design, Liverpool John Moores University.


—

Exhibition Research Lab
John Lennon Art and Design Building
Duckinfield Street
Liverpool
L3



________________________________
Important Notice: the information in this email and any attachments is for the sole use of the intended recipient(s). If you are not an intended recipient, or a person responsible for delivering it to an intended recipient, you should delete it from your system immediately without disclosing its contents elsewhere and advise the sender by returning the email or by telephoning a number contained in the body of the email. No responsibility is accepted for loss or damage arising from viruses or changes made to this message after it was sent. The views contained in this email are those of the author and not necessarily those of Liverpool John Moores University.
  
================
Joasia requirement:
    
    - a title 
         - Recurrent Queer Imaginaries 
    - a blurb (send around) 
   - A longer description for PR
    - Setting + Equipment
    - a picture
         - word count pic 
         
 
-----------starts----
>> helen: i have a qn: may be to more focus on a queer model than motto assistant? let's think about it. I have added the bit with ML and generative model and see how u think. 


    Recurrent Queer Imaginaries 
    Helen Pritchard and Winnie Soon. 
       
    " Recurrent Queer Imaginaries" is an exhibition of queer manifestos , motto writing and urban dreaming . It features the new artificial intelligence entity from Pritchard and Soon, the "Motto Assistant". "Motto Assistant" is a machine learner, who continuously writes mottos for revolutions, anti-facist guiding principles of living, queer love ethics, authoritarian resistances, political movements, class struggles, municipal identities, city planning, art pract ic es, joyful engagements and violent direct action. "Motto Assistant" applies the mottos, as a method of questioning, revising, imagining and developing in light of historical circumstances and cultural conditions. Incoherent and worm-eaten, Soon and Pritchard invite the audience to interpret a motto from "Motto Assistant" as a guiding princ i ple of how to reorganise your collective life and fight injustices in the present.

The exhibition takes as its starting point the histories and uses of manifestos and mottos as operational instructions/guidance for living together and organising urban space. In particular " Recurrent Queer Imaginaries" explores how queer and feminist manifestos have been used to propose imaginaries for life in cities that "could be" or "could have been". The artwork explore s that when these manifestos, these words, are read together they might as Ursula K Le Guin speculates , "activate our imaginations" to rewrite living. 

The artwork was developed using manifestos and zines (the earliest written in 1971) for queer and intersectional life as source text for machine learning and generative processes . It uses recurrent neural networks to train and process sequences of collective voices, as well as the diastic algorithm to establish a poetic structure. Such a queer model opens up new imaginaries and forgotten language beyond the confines of accurate prediction and effective generalization. 

As part of their process the artists took on some practices of urban dreaming, seeking out manifestos that are housed in the radical books shops and libraries in Kings Cross and Euston, places that are historically important for the queer movement.  Although sites of historic significance for queer spaces, Kings Cross and Euston are both areas that have been effected significantly by the construction and changing urban fabric of London: Queer night-time spaces have been replaced by the relentless gentrification by tech companies and start-ups.  

The seed text "Not for Self, but for All” is used in different parts of the text generation. This seed text, which at first was mistaken for a corporate slogan, is Camden Council’s motto for their municipal identity which hangs prominently next to the Google offices in the heart of the new development of Kings Cross. " Recurrent Queer Imaginaries" is a call to reclaim queer spaces from corporate neocolonial imaginations, operational injustices and reimagine them differently for all, as a commitment to queer liberation. 

Now start your motto. 

----

Supported by, Aarhus University, Goldsmiths, University of London, Goldsmiths Digital Studios. [plus any others].



Source Texts 
On Woman’s Absence from Celebratory Manifestations of Male Creativity (1971) by Rivolta Femminile
Proposition for a Black Power Manifesto (1971) by Ted Joans
Statement on Censorship (1973) by Anita Steckel
Preliminary Notes for a BLACK MANIFESTO (1975–6) by Rasheed Araeen
Manifesto Against The ‘Black Code’ edict of Louis XIV, 1685 (2008) by Pélagie Gbaguidi
Cyberfeminist Manifesto for the 21st Century (1991) by VNS Matrix
Migrant Manifesto (2011) by Tania Bruguera and Immigrant Movement International
100 ANTI-THESES (1997) by OLD BOYS NETWORK
Manifesto for a Queer South Politics by  Pippa Holloway, PMLA, Volume 131, Number 1, January 2016, pp. 182–186 (5)
Carlomusto, Jean. "Archival Praxis." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 570-570.
Cheang, Shu Lea . "This Is Normal." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 569.
Frilot, Shari. "Soulpower." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 573-574.
Fung, Richard. "Beyond Domestication." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 571-572.
Gutiérrez, Raquel. "Radical Schlock." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 572-573.
Hammer, Barbara. "Occupy the Dream." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 567-567.
Haraway, Donna, and A. Cyborg Manifesto. "Science, technology, and socialist-feminism in the late twentieth century." The cybercultures reader 291 (2000).
Muñoz, José Esteban. "Toward a Methexic Queer Media." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 564-564.
Parmar, Pratibha. "Stomp for the Shadows." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 567-567.
Rainer, Yvonne . "Introductory Rant in Performance of Assisted Living: Do You Have Any Money?" GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 562.
Rich, B. Ruby. "For Heat and Light and Outrageousness." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 565-565.
Stryker, Susan. "T Time a Queer Media Manifesto." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 571-571.
Tartaglia, Jerry. "A Statement of Outrage against American Assimilationists Who Practice Appeasement of Hetero Terror in the Wake of A.I.D.S. Genocide in the United States." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 559-561.
Tinkcom, Matthew. "It's Called Dominant Culture for a Reason." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 563-563.
Wallace, Julia R., and Kai M. Green. "Tranifest: Queer Futures." GLQ: A Journal of Lesbian and Gay Studies 19, no. 4 (2013): 568-569.

======
Queer Motto notes
  "We are a wordy species" Ursula K. Le Guin
 Non Sibi Sed Toti, Not For One But For All.         
         "We are a wordy species" Ursula K. Le Guin
         
         "They may not be “books,” of course, they may not be ink on wood pulp but a flicker of electronic in the palm of a hand. Incoherent and commercialised and worm-eaten withe porn and hype and blaster as it is, electronic publication offers those who read a strong new means of active community The technology is not what matters, Words are what matter. The sharing of words. The activation of imaginations through the reading of words. Literature is the operating instructions. The best manual we have. The most useful guide to the country we’re visiting, life. " Ursula K. Le Guin
         
         Marx and mottos - And it was a dictum he applied not only to the ruling ideas of his age, but something that he applied to other socialist currents, and even to his own ideas,
which he was constantly questioning, revising, and developing in light of historical circumstances and conditions. 

mottos for queer justice 

 guiding principle of a person, organization, city,
 
 colinial 
 
 annoucenment of a municipal identity

Many of us feel on the outside, instead how might we have a broader politics for  collective liberation

"We can stick to guarding the rights we’ve won over the past decade and that have secured for some (mostly those who are white, cisgender, and college-educated) a respectable, middle-class status. Or we can commit to a broader and bolder vision that prioritizes collective liberation—for us, and for others—over individual rights. That would mean, to start, standing up as queer people against inhuman conditions at the southern border, putting our bodies on the line to protect trans women at risk of violence, working on sex-work decriminalization and harm reduction for drug users, and tackling the continuing crisis of HIV. It would mean using our long experience of fighting past injustices to fight injustice in the present.
Queer activists have held such broad emancipatory visions before. Those visions were based in a clear-eyed embrace of queer difference and not an attempt to assimilate into middle-class institutions. By combining commitment to queer liberation with direct action, radical queer activists have throughout history brought emotional potency to the LGBTQ movement to which we owe many of our political gains today.


Incoherent and commercialised and worm-eaten withe porn and hype and blaster as it is,

Under colonial opression, the mottoe may cities were forc mottos by white settlers, 



  Queer Models Queer Mottos



The motto was 
proposes that life in a computerized environment might perhaps be shaped by writing machines for queer love, resistance and sex rather than urban optimisation.  
The machine learner is trained on a queer model, From colonial opressions to revolutionary
    
    The mottos are summaries of hundreds of queer manifestos. 
    
     of queer imaginaries and urban relations.  The work is a proposal for using poetry in city planning and urban design. Instead of the vision of the smart city where artificial intellegience algorithms shape and generate urban life from the optimization of infrastructures to the gentrification of whole neighbourhoods by tech giants, the Pritchard and Soon propose that AI /MLalgorithms might instead be used to open the possibilities for our collective urban imaginary of what a city or a life could be. 
    
    The urban motto used by governments or councils. In a time of rising facism and imperalism, the recurrent queer motto, 
    
     Taking urban infrastructures that shape cities as a starting point, the writers collected slogans and manifestos from the Kings Cross area in London, an area of urban gentrification by the tech companies. It was here on the Google building hangs the Camden City council slogan "Not for One but For all". Re purposed as a slogan for the mass gentrification, closure of queer spaces and urban clensing of the area. 
    
    The artwork was developed using 24 manifestos and zines (the earliest written in 1971) for queer and intersectional LGBTQ* life as source text for machine learning and generative processes to produce new manifesto imaginaries. The artists’ ask: How might we imagine new political and queer urbanisms? How might we generate new manifestos for the reclamation and imagination of queer space?
    
     As part of their process the artists sought out manifestos that are housed in the radical books shops and libraries in Kings Cross and Euston, places that are historically important for the queer movement.   Although sites of historic significance for queer spaces, Kings Cross and Euston are both areas that have been effected significantly by the construction and changing urban fabric of London: Queer night-time spaces have been replaced by the relentless gentrification by tech companies and start-ups. In response to this the artwork uses the seed text the "Not for Self, but for All” as part of the text generation. 
     
     This seed text which at first was mistaken for a corporate slogan is Camden Council’s motto which hangs prominently next to the Google offices in the heart of the new development of Kings Cross. Seeding Queer Imaginaries is a call to reclaim queer spaces from corporate imaginations and reimagine them differently for all, a queer politics to imagine a different future.  Heres a source text and a ML algorithm and a computer. Now start your manifesto. 
     
     Non Sibi Sed Toti, Not For One But For All.
     
     History of Queer Mottos:
         https://www.dissentmagazine.org/online_articles/a-history-of-queer-direct-action-stonewall-fifty-years

Seeding Queer Imaginaries is a motto for a queer future. The artwork was developed using 24 manifestos and zines (the earliest written in 1971) for queer and intersectional LGBTQ* life as source text for machine learning and generative processes to produce new manifesto imaginaries. The artists’ ask: How might we imagine new political and queer futures? How might we generate new manifestos for the reclamation of queer space? As part of their process the artists sought out manifestos that are housed in the radical books shops and libraries in Kings Cross and Euston, places that are historically important for the queer movement.   Although sites of historic significance for queer spaces, Kings Cross and Euston are both areas that have been effected significantly by the construction and changing urban fabric of London: Queer night-time spaces have been replaced by the relentless gentrification by tech companies and start-ups. In response to this the artwork uses the seed text the "Not for Self, but for All” as part of the text generation. This seed text which at first was mistaken for a corporate slogan is Camden Council’s motto which hangs prominently next to the Google offices in the heart of the new development of Kings Cross. Seeding Queer Imaginaries is a call to reclaim queer spaces from corporate imaginations and reimagine them differently for all, a queer politics to imagine a different future. 

4th meeting 15 Oct
- send info to Joasia 
- testing the program 
    "logic: 
- collecting manifesto 
- Longer text for PR and within the gallery. 
- diagram?

3rd meeting 9 Oct
Final task for today:
    
    - brainstorm the elements in the exhibition and what to do (artist talk?) 
    - what exactly is the format and what to do on 15 Oct 
    - a title of the work
    - a short blurb for joasia
    - a picture
    -credits:
        EAVI, GDS, AU, goldsmiths doc, liverpool xx uni, 

<resource:>
   x - seed text
   x - Manifestos used to train model source text/books/articles  - 
   x - picture from EAT 
   x - g enerated manifestos -> what it means now? what text and how  
    - source code or interface - both the Open source libraries , program used and the diastic grid programs
   -  training process
    - live generation?
  x  - map of area
  x  - diagram?
    X - theory of the Queer model description 
  x - HS2 story
    
<installation version:>

#1 - source manifestos:
#2- generated manifestos w/ seed text :
#3- Projector: Either an image or diagram , mix of processes, including the fictional aspects, imgainations, diastic editing or 48 hours of readings manifestos, going to book shops, reading ursula le guin, training the queer model, programming, daydreaming, urban queer dreamin, cruising, discussing lovers, chopping potatoes through rule based thinking.. engines, collecting manifestos, cleaning text, creatinarrays.... as optional (subject to time) 

<discussion:>
-lack of poetry -> how it can open up imaginaries -> ursula k le guin  https://www.goodreads.com/book/show/92607.Dreams_Must_Explain_Themselves  

2nd meeting 2 Oct: 
- Tasks?
- images for the exhibition lab: https://duckduckgo.com/?q=exhibition+liverpool+lab&t=ffab&atb=v144-1&iax=images&ia=images
- brief abstract + concept:
    - decide a title
         -Seeding manifesto imaginaries 
         - Seeding new possibility but, faint dog for, supreme perversity
         - Proposition for a Queer Power Manifesto Machine
         - Proposition for a Queer Imaginary Machine
         - Modelling imaginaries 
         - Generating Queer Imaginaries
         - Continous Queer Imaginaries 
         - Recurrent Queer Imaginaries  
         
//or heres a source text and a neural network and a computer. Now start the manifesto machine. 
         - Running Queer Imaginaries 
        -  imagining xxxxx
        - Imagining faint dogs
        - Networking Queer Imaginaries 
        
         Heres a pen and some paper and a typerwriter. Now start your zine.
         Heres a source text and a ML algorithm and a computer. Now start your manifesto. 
         
    - tech list 
18-20 Nov @ Liverpool 

- Plan the days in the gallery - exhibition? workshop? talk? studio?  what do want? 
- could use one of the days to regenerate the text
- Exhibition -> need for documentation

with joasia:
   - physical forms of the data source 
   - open up poetic urban imaginative life 
   - a very short blurb + long text 
   - soft opening 
   - resource and furniture 
   - outside text 
   - articulate to people 
   - conservative art school 
   

ERL - from Joasia
Winnie and Helen arriving 17 November Sunday till 21st morning (Thursday) 
20th - day workshop/event and drinks opening 

departure point camden city council ‘not for one but for all’ / 
qeer culture / bars and community spaces being completely obliterated by tech companies; from 300 spaces to zero; changing environment; 
imagine other types of cities and future; collected around 30 different queer manifestos starting form 60s and 70s from sites in the area - gay bookshops etc - international manifestos; black queer manifestos 
used this as a source text to train the natural language nuronetwork model; algorithms; used machine learning model - train the model - train to be able to write in the style of XX queer manifestos - learn the context and style in order to generate text; normally people to train the model use one text; theirs is feral hybrid/ queer model because is trained on 30 different writers and learn different style - collective author; 
trying to think what there might be potential of machine learning, manifesto generating machine to open up poetic imaginariness of urban political life; the need to urban intervention direct action; so fare the training the model generates lines of poetry; as a way to generate text base don these words; 
the C text - structure based on the slogan ‘not for one but for all’ 
manifestos continually generated and then continually sent to camden council 
final form - maybe the web page - showing on the screen? or a pattern?
Exhibition: projection of the source text (c text); projection of the manifesto - projector plus laptop; copies of the source manifesto printed; new manifestos 
events - 20 mins presentation to present a project; questions; urban computation / urban mathematic 

18th Nov
- setup 
- final fixing or printing

19th Nov (exhibition / visual elements)
- projection on the seed text  (1/ - on google building with the seed text 2/ a series of images with the area)   
- slide deck of the area? - 
- a generative program (?)
- a series of printed and generated manifestos? 
- until January 

20th Nov
1) curated conversation : writing machines + urban mathematics/computation 
---> 14.00-16.30 
---> 20 mins presentation + curated question s around theme
2) live manifesto reading
3) Workshop for queer manifesto writing (why manifestos?) - invite people to join from students and public, activate simple cut up manifesto writing together - could even be paper based or code based ... use this as a point to the n have some discussions about queerio urban space. 
4) none of the above just exhibition and say we are in the gallery in the afternoon 
5) talk + studio making
- night time: dinner with joasia 

21st Nov morning leave 

- for the work to have a life..  
- what are the elements in the space


1st meeting with Helen:
Generative text:
- unpredictable
- predictable
- not a text but an image
- constraints as a creative and generative process
- limitation: pre-relations, material histories and politics
- try to understand what they are : material approach
- diastic -> bring to live
- a thousand manifestos
- text being different
- same seed text
- every min the email -> queer manifesto receive of our email manifesto
- different outputs: zines , printing, email, books,  a large projection on this , software installation
- Camden -> manifesto of the councils ->
- “not for one but for all”
- gentrification and queer closure
- urban space , queer, politics , collective individuations, world making,
- AI is about performing tasks / decisions
- automated injustices  => seda
- volume : living in a computerised world -> how to arrange your life/imagination spatially,
- good for the city ?
- different ways of computation to arrange our life, generating manifestos? How can this re-arrange the city in a different way? (Not only filtering or best layout for city or mining -> optimised way for labour, machine, part of the city is being designed, otherwise of algorithmic interventions)
- efficiency ?
- poet intervention -> millions about how the city can be different in a more queer way -> why important? Hacks other things
- imagination is important
- scholar => ABDOUMALIQ SIMONE —> book improvised life
-