questions:
interview Ana Dragic, Shelbatra Jashari


- project?

the last days of the public performative interface
-besi

Ana:
   1. How did the idea of Daemons & Shell Scripts arise? Give you interpretation/ definition of the 2 notions: Deamons, Shell Scripts

Invisibility to be a possible process in Muhka. How in nowdays communication, you can put “a process”  (what is not seen) in the Museum vs. final work/ piece?
   2. What is publice performative interface? How did it function during 3 months exhibition at Lodgers?  holo-cube
Invisibility to be a possible process in Muhka. How in nowdays communication, you can put “a process”  (what is not seen) in the Museum vs. final work/ piece?
Who is Bolwerk. You?
   3. Describe your experience (Bolwerk), as informal non-institutional platfrom, within a public institution such as M HKA? What were the biggest challenges?
   4. Describe the dynamics of the process of collaboration with such a big number of artists- what were the biggest challenges?
    Going against Hierarchy and dealing with personalities of individual artists..
   5. Name one process or "deamon" and one presentation or "shell script" that was the most interesting for you? Why?  
   6. You mentioned how eveyone involved have few characters, explain more. :)
   7. 2 rooms/ tehcnical vs physical. Why? Marthe vs Shell “why do we hve to deal in classical dihotomy of physical vs technical. Battle? We need interaction between 2 rooms. I nal technocratic critical thing, how little humanity stay- man created computers.
   8. Documenting issue. Shell said you don't like documenting. Why?
   9. What is DEAMON FOR you (before vs now). What deamons you encoutered during the project
Power of physiics over the power of MIND